What is it about Jack Ryan that makes him one of the most adapted characters in the American storytelling canon?
The character, CIA analyst John Patrick “Jack” Ryan Sr., was developed by Tom Clancy and first appeared in his 1984 novel The Hunt For Red October. Since then he’s appeared in countless books, video games, and movies. He’s been portrayed on film by Alec Baldwin, Harrison Ford, Ben Affleck, and most recently Chris Pine.
So…uh why? What is it about Jack Ryan that makes him not only so adaptable but so appealing to both creatives behind the camera and the purse string pullers behind them? After watching six of Jack Ryans ten episodes available for review, I’m no closer to an answer.
Perhaps the big appeal of the character of Jack Ryan is how much of a blank slate he is. He’s like the narrative fiction version of a “create-a-player” in a video game. His past is par for the course when it comes to political thrillers – from Maryland, big Orioles fan, has undisclosed physical and mental injuries from his time in the Marines. His morality is Rick Grimes-ian – whatever he feels about a subject is likely the “correct” way the show wants us to feel as well. He’s a staunch supporter and defender of his country but also expresses the appropriate levels of discomfort with some of its decidedly icky geopolitical decision-making. Even the name Jack Ryan is generally likable and unassuming – one syllable nickname as a personable first name and two syllable Anglo-sounding last name that just sounds like a firm handshake. He’s called Jack Ryan because Dave America would have been too on the nose.
There’s likely a reason why Jack Ryan has been played by no fewer than three, now four movie stars. He’s a larger than life figure masquerading as an average Joe, which is what incredibly famous actors do for a living anyway. On the Average Joe side of things, there may have never been a better choice for Jack Ryan that John Krasinski. Krasinski has already portrayed the average mediocre American male’s favourite avatar for himself in The Office’s Jim Halpert. Jack Ryan is basically that plus an Ivy League education and a weapons license.
Krasinski is almost overqualified for the role. It’s actually shocking that the show secured his services. Did no one see A Quiet Place? Did John Krasinski, himself, not see A Quiet Place? Krasinski’s Jack is teeming with intellect but also inflected with the right amount of believable frustration for “the way things are.” Being a hero comes far too easily and naturally for the character but Krasinksi is so preternaturally charming that it kind of works.
Also not for nothing: he fills out a bulletproof vest well. It’s certainly a good sign for Jack Ryan that its Jack Ryan is appealing. Unfortunately likable doesn’t mean compelling.
This is a very capably made, and at times intelligent show. Cuse and Roland represent some real storytelling talent behind the camera and as seasoned TV vets, they make sure each episode feels like its own unique beast and also part of a larger story. The action, when it arrives, can also be legitimately thrilling. It’s the show’s general purpose and perspective that fails.
I can’t even begin to tell you how tired I am of television covering the War on Terror. Jack Ryan being a “modern” update on the character really just means that people on the show say “9/11” more frequently than Rudy Giuliani auditioning to replace the Count on Sesame Street. To the show’s credit, it does portray its villains as being more multi-dimensional than say, 24. Suleiman is certainly evil but his is a rational, knowable evil. It’s impressive how many scenes Jack Ryan allows to take place in Arabic with English subtitles rather than having the audience suspend disbelief that characters in Syria would speak in British-accented English amongst one another.
Still, 24 debuted nearly twenty years ago. And America has been engaged in exhausting wars with the same 24 villains, real and imagined, ever since. Being ‘better’ than 24 simply isn’t enough. With this much time past, an update on the war on terror had better be revelatory and Jack Ryan is far from it. Too many scenes in Jack Ryan feature two bearded Middle-Eastern dudes talking obliquely in a desert (filmed in Morocco) while ominous oud and qanoun music plays. It’s not offensive; it’s boring.
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